I was fixing up some old headphones today and I noticed something odd. All of the old sets I have, like 70's-ish, have actual speakers in them. Like big ass speakers with magnets hanging off the back and everything. Imagine the speakers in your guitar cab or home stereo, like those. All of the newer, post 90's sets, have these shitty little flat things that have no style at all. Plastic fantastic man. Where's all the metal at? You can see what I mean in the photos.
The only thing I needed to fix on the old sets was the glue. Being 30 years old or so, the glue holding the speaker to the frame had wasted away. So I just threw some shoe goo on there and put 'em back together. The set in the photos is from Sears and they needed some new ear cushions as well. I stole the new set from some shitty chinese cans I bought a few years back. Don't buy those. They suck magnificently. Truly horrible, for real. Trust me.
Last night I was mixing a few tracks and decided to try out the ol' Boss CS-2 pedal as an insert on the hi-hat track. Worked out great. I think I'm going to start trying out a lot more compressor pedals on things other than guitar or bass. For someone who doesn't have the money to buy one, let alone many, nice ($) studio compressors, this is the ticket. If you have an outboard mixer it's real easy, just get one of these cables and plug it into the insert on a channel. Then send the "Tip" to input on the pedal and the "Ring" to the output. "Ring Returns" is always a helpful thing to remember. If you don't have and/or want to buy an insert cable, you can just use the "insert" on the mixer as a direct out with a regular cable, then run the output of the pedal back to another channel. Works the same, only you use up two channels, which can be a bitch if you are mixing a lot of stuff off the board.
I have never been much of a drummer, but I always get drumming duty by default somehow so I've been trying to learn all the shit a drummer needs to know about drums. It's a pain in the ass. The good thing is it will not only help me to drum better, but help me to record drums better as well. So that's nice.
And here is a pretty rad video from the dudes at Preservation Sound. I dig it.
And these Bob Gatzen jams are cool too. I like the way this guy talks, he's got a chill vibe.
My only issue with a lot of these drum tuning tutorial kinda things is that they all focus on making everything sound like shit that's already been done. I mean I get that the usual approach is learn the rules, then break the rules, but I'd like to see a little more breaking going on. Or at least weird tuning or something. I tuned my snare drum so it sounded like total shit and was making this weird sort of middle eastern-y ringing sound the other day and I gotta say, that was real cool. Not for every session, but a cool sound for one or two songs for sure.
So this is basically this thing but made out of shit I had laying around on the bench. I added an old Stromberg Carlson mic input/step-up transformer I took out of a broken old tube pa mixer. Doesn't really change the wiring layout at all, you just add the trafo in before the xlr out. The VU meter I got out of an old broken reel-to-reel someone gave me a while back. I added in a TRS jack on the side so I could use it as an insert on a mixer, that just goes through the trafo though, no variable impedance. It actually works really well on guitars surprisingly, but when using it with the mic input, I like it better on vocals. Radio Shack project case, one of the black plastic ones, I used some huge old screws for the cover though, gives it a bit more of a vintage feel. I like those black plastic cases, call me crazy. Oh yeah the knob is an old bakelite, also from that mic mixer, I think.
Hwhipped this up out of an old steel case for some 8mm home movie lights. Found it in the garbage. The lights still work great, but I don't really need a travel case for some giant floodlamps I will barely ever use, if at all. All I did was snap off the little metal brackets for the lights that were inside, just two of them, so that the case was empty inside. Then I just used the foam holders that came with the mics, stuffed them inside and stashed the original cardboard boxes for safe keeping. I added a little extra chunk of foam to fill it out, and some for the inside of the lid to keep everything snug. It's just regular couch cushion foam kinda stuff, my wife had extra from a craft project she was doing. All it needs now is a stencil of "Ron's Wrecker" on there. I'll get around to it.
The Fuzz. Built this one using almost all junk parts from old crap I had kickin' around. I think the old caps sound killer. I never understood how some folks can't hear a difference in the type of cap. This thing rips. It's just a basic fuzz face kinda thing, circuit wise. Two transistors, some capacitors and resistors, couple of pots, etc. I used like six old resistors to make one 80K though, just soldered them in series. I didn't have the right value available. You can do that and it works just fine. It's just a radio shack project enclosure, I kinda like these crappy little aluminum ones though. Maybe that's just me.
Probably try and post update photos every now and then on this one, as it progresses. Late 50's Kay archtop guitar. Neck is loose and needs to be re-glued, other than that it's damn good shape though. Just needs a little tlc.
